Argh the shortest version is an exclamation, of various sorts, usually ironic or humorous in this sense usually written and rarely verbal.
Behind the glitz and glamour, Golden Age Tinseltown was a seething mass of wailing drunks, drug-addicted loonies, overwhelming egomaniacs, and straight-up nutjobs.
Think modern weirdos such as Gary Busey have a monopoly on the job of "genuinely crazy actor"? Cary Grant, the suave, sophisticated film star who almost never gave interviews, was on the line and wanted to talk. That, and the fact he now wanted everyone else to start dropping acid, too via The Guardian.
Born into a super-poor family in Bristol, with a cheating father and a mother who straight-up vanished it later turned out the cheating father had needlessly had her committed to an insane asylumGrant spent most of his acting life dealing with his hidden demons.
After decades of torment, he was finally turned onto LSD therapy by his third wife. What happened in those sessions evidently blew his mind.
From toGrant dropped acid a minimum of times. But rather than make the inside of his head resemble the plot of Yellow Submarine, it turned him into an evangelical for his pick-me-up. One vision Grant fondly recalled involved him turning into a gigantic wang and blasting off into space.
It was only when the counterculture went acid crazy that Grant stopped dosing, lest his gentlemanly image clash with all those darn hippies burning bras and dropping out. Lorre leveraged his weird looks into a long career playing oddballs and villains.
But his distinctive expression may have had less to do with genetics and more to do with what the Casablanca actor was sticking in his arm.
Lorre spent his entire career whacked out on morphine. His addiction started long before he ever graced a Hollywood screen, following an appendix operation in his native Europe. According to the London Review of Bookshis doctors kept the young actor so full of morphine that he wound up hopelessly addicted.
He carried the addiction over with him when he transitioned to Hollywood, where he also got hooked on prescription pills and cough medicine.
For stretches of his career, Lorre was even choosing roles based on how they interfered with his drug taking. He took the part of Mr. Whole films were shot with him so smacked out he could barely climb the stairs.
And he still out-acted everybody else on set. Orson Welles was obsessed with making his nose bigger Getty Images The idea of the nose job caught on because there are a huge amount of people in the world who all fixate on the idea of making their nose smaller.
So he did what anyone with a studio makeup department at his beck and call would do. He had a whole slew of fake noses created for each role he played, the bigger the better. In nearly every movie appearance he made, Welles sported a fake nose.
At the start of his career, these were relatively normal sizes. By the end, they were misshapen, bulging things that swelled out the center of his face like a lost alien chestburster making a dash for the nearest exit.
And you better believe he was unwilling to work without them. When he took an acting gig on Black Magic, while still trying to finish directing Macbeth, the star was more worried about his box of misplaced noses than he was about his unfinished picture.
When he finished a film, Welles kept his noses, named them, and stored them in his Hollywood home, where he would occasionally take them out at parties and perform magic tricks with them. In her life, Velez tore through men like an out of control combine harvester, but she could never shake her infatuation with Cooper.
This may have been due to her assertion that the High Noon star had "the biggest organ in Hollywood," or it may have been due to the fact that Cooper was the only man on Earth who could keep up with her hellraising.
Not that the two always got on; on one memorable occasion, an angry Velez stabbed him. The star committed suicide, but not before putting an insane level of planning into her demise. Macbeth; Not a Machiavellian Leader Niccolo Machiavelli’s The Prince was written as a guide to success for future and current rulers all over the world.
Shakespeare’s Macbeth and Machiavelli’s The Prince both present different viewpoints on how to be a noble ruler. Some people say that Macbeth is .
In addition, he neglects war, does nothing of noble regard, and does not pick a side when necessary.
Although Macbeth demonstrates several Machiavellian characteristics, he does not bear all the qualities of a respectable ruler, therefore Macbeth is not a truly Machiavellian character, or leader.
THESIS STATEMENT Macbeth, by William Shakespeare, applies the Machiavellian principles of how princes should properly conduct themselves which is directly applied through Duncan, Macbeth, Lady Macbeth, and Malcolm. Lupe Velez was known as "the Mexican spitfire." A more accurate portrayal might be as the girl who gave so few damns she made Rhett Butler look like he could use his collection to dam the Colorado.
In an essay, MIT professor Henry Jenkins once recounted all of her outbursts, which ranged from staging fights in public, to attending wrestling . Representations of Kingship and Power in Shakespeare's Second Tetralogy Amanda Mabillard Since it is impossible to know Shakespeare's attitudes, beliefs, and play writing methodology, we can only present hypotheses, based upon textual evidence, regarding his authorial intention and the underlying didactic message found in the second .
In Shakespeare's Macbeth, the main character, Macbeth, can be compared in many was to a Machiavellian prince. Macbeth's ambition to be king and his desire for power are the basis of Machiavelli's ideas, but when examined more closely we find many flaws in Macbeth's character that Machiavelli warns will be destructive.